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“Brothers of the Baladi are the ‘real deal’ –– a fresh take on an ancient idea“ –The Beat Magazine

Unique is the perfect word to describe the grammy nominated band Brothers of the Baladi. Their style is one of a kind, “the quartet combines traditional acoustic Middle Eastern instruments and songs with western instrumentation, exotic rhythms with familiar grooves and vocals in seven languages (Arabic, Turkish, Farsi, French, Spanish, Armenian and English) to create a unique and highly rhythmic dance music.”

Brothers of the Baladi is headed up by the multi – talented and very cool Michael Beach, who in addition to providing the lead vocals, plays doumbek / Arabic tabla, mizmar, mijwiz, def, riq and davul. The band also includes talented musicians J. Michael Kearsey, Clark Salisbury, and Charles Pike. Michael credits composer/ conductor, David Amram and the Middle Eastern band Sirocco as some of his/the bands influences. Brothers of the Baladi has also had the chance to collaborate with artists like Moroccan born Tariq Banzi and drummer Michael Shrieve.

Learn more about the history of Brothers of the Baladi here.

LISTEN!!!!! BELLY BEATZ PLAYLIST: BROTHERS OF THE BALADI 

Brothers of the Baladi has been going strong for 30 years and dropped 11 albums!

I had such a hard time putting together this playlist because all the songs are so good!!!!

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You can also buy their music here 🙂

And don’t miss Michael’s solo album – Hands of A Thousand Dances

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Popular Rai artists (L to R): Cheb Hasni, Cheikha Rimitti, Khaled

 

This past weekend I went to Anahid Sofian’s Saturday class (www.anahidsofianstudio.com). Anahid is the best because she exposes us to all different forms of Middle Eastern and North African dance and music, like Rai. In the past I  have danced to Rai, and Saturday she brought it back – woop!

SO WHAT’S THE DEAL WITH RAI????

Rai is cool because of it’s content and it’s beat. Rai literally means “opinion,” it’s full of passion and expression. It’s rebel music, sung by the youth for the youth about poverty, police harassment, survival, alcohol, sex and love.  In a way, in terms of message, it can be compared to hip-hop in the early 90’s – Tupac, Biggie, Nas, Public Enemy… that kind of thing.

Anahid explained to us that Rai rhythms are mostly 2/4 and 4/4 with the heavy beats on the 2 + 4 like Western music instead of the 1+ 3 like Middle Eastern music.  When dancing to Rai you use your whole body to express yourself, it’s very loose and free with African tribal influences when appropriate.

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