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SO HERE’S THE DEAL:

There isn’t much info out there on Gawaher. I actually stumbled upon her when I was trying to find something about another dancer – Kawakeb, who I still haven’t really found anything about :/ Anyway, what I did find about her is from Academia de Danza Arabe Priscilla Adum‘s Facebook page. Gawaher was a golden age dancer born September 15th 1930 in Lebanon. She had a successful decade long career in Egypt where she made about 13 films. She retired from dancing in the 1960s when she married, her husband did not approve of her dancing. However, she came out of her retirement and danced in a few more movies after she and her husband were divorced. Unfortunately, she wasn’t allowed to have contact with her daughter after the divorce.

Academia de Danza Arabe Priscilla Adum posted a photo (seen above) that was from a vintage issue of Al Kawakeb Magazine (Egyptian celebrity/film magazine). The photo was accompanied by this article:

THE SAD GAWAHER

The Atomic Dancer Gawaher visited me at Kawakeb’s offices in Beirut. She was wearing a summery fabric dress made at Carven of Paris, and she asked me “What’s your opinion of me?”
“In regards to what?” I answered
And she said, “About {my} dance, art, beauty and elegance?
I swallowed hard and said, “Great!”
At this point, Gawaher raised her head and said, “Then why haven’t you written about me in Kawakeb Magazine? Am I not good enough or what?”
I swallowed hard again and said, “But today you live the life of a housewife and not of an artist, so can we ask you, what was the reason for your retirement?”
Gawaher stood up and said, “I understand, and you’re right. I’m torn between my love of art and my love for him.”
I disliked asking her who the lucky man was because it’s none of our business.
Gawaher continued talking and said, “He doesn’t want me to appear onstage in a belly dance costume.”
I asked her, “Do you love him that much?”
And Gawaher responded and said “Up to now, I’ve been unable to distinguish and I can’t decide which I love more. Him, or art.
And then the (former) Atomic Dancer left sadly.

WHY I <3 HER:

I love being a detective and going on the hunt to find dancers that I haven’t heard of yet. Although I can’t say Gawaher is one of my absolute favorites, here is what I love about her:

I love the way she holds herself and her facial expressions, she really exudes confidence. I also like the fact that she strips the dance down to it’s essence and focuses on each smooth movement. She is very poised and graceful and I find her story to be an interesting one.

Watch videos of her below and tell me what you think!!!

xoxo

N

Oh – and HAPPY FRIDAY!!!!!!!!!!!!!!!!!!!!

[vimeo https://vimeo.com/105988835] [vimeo https://vimeo.com/103203102] [vimeo https://vimeo.com/103203309] [vimeo https://vimeo.com/103200839]

In honor of The Belly Blog’s new look, get inspired by all gold everything!!!! #goldisagirlsbestfriend

xo

TBB

ATTENTION TRI-STATE BELLY DANCERS: It’s time for another of Anahid Sofian‘s amazing ateliers, Atelier Orientale – New Voices!

The legendary Anahid Sofian has put together a roster of amazing dancers to perform at her studio (29 west 15th street, 6th floor) on November 9th from 5 – 7 pm.

This show will shine a light on performers/choreographers that are really pushing the boundaries of Middle Eastern Dance. The performances will range from traditional to contemporary to experimental. Each piece will be an original work, full of depth and spirit.  It’s going to be very inspirational and who doesn’t need some #BELLYDANCESPIRATION???? 😀

Check out the featured performers!

Brenna Crowley/ Zilla Dance Ensemble

[youtube https://www.youtube.com/watch?v=4j0pyh-44Yc&list=UUHLImw4IjzpSw6csJdF3Axg&index=10]

Brenna is always full of energy and personality – she’s so much fun to watch!

Calixta Starr

here is a piece that Calixta was a part of 🙂


Kaitlin Hines/ Raqs Uncommon

 

The Kandake Dance Theatre for Social Change


Nisreen

 https://vimeo.com/87922014

I’ve gotten to see Nisreen dance a couple times and she’s great!

Tatianna Natalyja

btw Tatianna also reads Tarot cards – so cool!
Uza Mitra

Uza is just the coolest- check out TBB’s interview with her here!

Oh, and remember, Doors open at 4:30 pm and there will be a wine and cheese reception following the show – YUM! 

Updated Atelier Flyer-2

I always loved the ethnic dot make- up look. I want to experiment with it, and I found these great images for inspiration! I hope you guys like them and get inspired!!!

xoxo

TBB

Although there isn’t much info out there on Ms. Zizi Mustafa I gathered some tidbits for you, just to give you an idea of how cool she was:

  • Zizi was born in 1943 in Cairo, Egypt.
  • She worked as an actress and a dancer. Some of her famous acting roles were in  “The Pickpocket” (1963), “The Wife of an Important Man” (1987), and “Ragel Wa Sitt Settat” (2007).
  • She performed in many clubs including Cave du Rois in London (Gilded Serpant).
  • Managed by Safaa Farid the last 9 years of her career.
  • Could do up to 18 shows a night. Wowwwwwwww…. tired just thinking about that…
  • Her daughter is Mina Shalabi, a famous Egyptian actress

What the internet is missing in info about this incredible dancer, it definitely makes up for in videos! Watch the below and get inspired!!!! 

Watch Zizi get her groove on! Click here!

and here!

and here!!!!!

Happy Thursday!

xoxo

TBB

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SO HERE’S THE DEAL:

In honor of Black History Month we thought we should recognize the wonderful Nakish. Nakish is known as the first African American belly dancer in the US and worldwide. She was also the first and only Black dancer in Bal- Anat in the early 70’s. Her other firsts include being first Black woman to teach at the YWCA (in San Fran) in 1977, and one of the first teachers to ever teach at Rakkasah.

Nakish was born in San Francisco. She was a dancer from a very early age. At 6 she took ballet and later in high school she studied flamenco and modern dance. Although she was studying the Martha Graham technique, she did not want to pursue this in New York after school, where she didn’t know anyone. Instead she went to the San Francisco Conservatory of Dance and studied Modern Dance at City College simultaneously.

In 1962, Nakish explored other aspects of her creativity and went to the Louise Slinger Academy of Fashion and graduated in 1966 becoming an assistant to Patricia of London Design in 1967. Nakish also took interest in stone and gem cutting and jewelry design.

Nakish was introduced to belly dance through her boyfriend who worked at a Renaissance Pleasure Faire as a blacksmith. At first she didn’t’ feel right about participating as a belly dancer because it wasn’t part of her ethnic culture. A year later, she went to watch and saw Jamila Salimpour’s troupe Bal-Anat perform. In an interview with Gilded Serpent, Nakish said, “ Rhea (Rhea of Athens) was performing with her sword. She saw me standing there watching the dancers and came up to me and said, ‘You should be in our group!’”

And so it happened. In 1969 Nakish began studying with Jamila and became the next sword dancer in the group when Rhea left to go to Greece.

In 1973 Nakish left Bal-Anat and began teaching. Although she didn’t really like the nightclub scene she would gig about once a month and she was very protective of her students. She demanded that club owners respect her students, saying that if they were disrespected she would not dance at their club. If they were respected she would pack the house.

In 1983 Nakish was invited by Dr. Bousaini Farid, the President of the Women’s Club in Egypt at the time, to go to Egypt and dance for the Friendship Force International program. She said this experience was her pride and joy. She danced at the Nile Hilton for Egypt’s elite. While she was there she also danced on NYE at the Yacht Club for over 50,000 people, but it was cut short because she had pneumonia.

She stopped teaching in 1993 when she injured herself working on “The Phantom of the Opera” where she worked in the wardrobe department. She does teach the occasional workshop.read more

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SO HERE’S THE DEAL:

Shooq:

Shooq is known as the first belly dancer of Egypt. She reached the peak of her career in 1871.

She established an honorable status for herself amongst the wealthy and important families of Egypt, she was the first dancer that was able to accomplish this.

She was the only dancer allowed to perform at parties hosted by the Viceroy. When he opened the Suez Canal, she danced at the ceremony.

In 1871, Shooq was invited to dance at the wedding of an upper class family. When she took breaks the family would dance for fun. It was there that she saw Shafiqa Al Qibityya dance for the first time. Soon Shafiqa became Shooq’s protégée.

Shooq became an example for many dancers like Badia Masabni, Tahia Carioca, Samia Gamal, etc. to look up to.

Shafiqa Al-Qibtiyya:

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