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Badaweyah Kareem is an NYC based dancer, choreographer and teacher. Raised in the midwest, Badaweyah spent much of her life performing on the stage in some way shape or form from the time she was just six! Over the years she has been a violinist, stage actress, and night club blues singer. Her love of music and performance brought her to NYC. Here she spent some time researching Bedouin and Berber culture and was re-introduced to classical Egyptian music and then to belly dance. Now she performs frequently in New York and has even performed at Lincoln Center. She has also danced at the Ahlan Wa Sahlan Festival in Egypt!

The first time I saw Badaweyah dance was last year at an event called Pandemonium hosted by Jerry Bezdikian. Badaweyah mesmerized me with her unique and authentic style and stage presence. There is so much depth to her dance you can sense the history behind it, even in her name, which translates to Bedouin in Arabic. A couple months ago, I got to know her better when we worked together at the Theatrical Belly Conference, she had the best stories to tell (which she will share with you below) and I learned so much just from listening to her. I got to see Badaweyah perform again more recently and knowing more about her, it was even easier to see how much passion and soul she brings to the dance. This past Saturday, I was lucky enough to be able to interview Badaweyah in person, so watch below!!!!

Also take a peek at Badaweyah’s webiste!

 

TBB: HOW DID YOU GET STARTED IN BELLY DANCE?

[youtube https://www.youtube.com/watch?v=LpoaqtThMqw]

 

Learn more about the Tuareg People

 

 

Learn more about Morocco a.k.a. Aunt Rocky 

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 “I grew up in a very diverse atmosphere but was always taught to honor my roots, this is what I bring to dance and what is evidenced in the shows I produce.”

 

On the 15th of last month, I was lucky enough to be included in Kay Kizi’ah’s event: Katrina’s School’s Out Hafla Summer Edition. It was the first time I ever really got to spend time with Kay, who is very prominent in the NYC bellydance scene. She is a talented, passionate dancer and such a warm and sweet person.

In addition to dancing, Kay has been working at a high school for eight years as a special education teacher working with emotionally disturbed children. She has also been an adjunct at the College of New Rochelle for six years, teaching courses in the Psychology Department.

In fact, her event, which included 17 performers, was also offered as a part of a summer college course called “Dance as a form of Cultural Expression”. This course is 6 credits, matriculated, and was the first Middle Eastern dance course offered at The College of New Rochelle. The course, taught by Kay, was offered last year and became SO popular that despite budget cuts, it was offered again this year and recieved double enrollment!

Kay has her students approach the study of Middle Eastern dance from theoretical, cultural, spiritual, historical and practical angles. They study the history of the dance, learn basic movements, interview dancers, write poetry, and view clips of the great stars like Fifi Abdo and Nagwa Fouad. Attending shows, like the Summer Hafla, is an important part of the course. Students get to see dancers of different ages, genders, sizes, and races express themselves and dance in a way that is true to them and their own style.

I was so impressed with the organization of the show, the line up of dancers, and with how amazing and chill Kay is, so I approached her about an interview, and lucky for me – she said yes! 

So…here goes!

TBB: How and why did you get started in bellydance?

KK: I was a middle school teacher, and one of my colleagues wore a low key hip scarf to work. I liked how she walked with it on and I asked her what it was. She invited me to class, and as usual, I was hesitant, but it sounded like fun. I passed on it the 1st Friday night and the next one I said, ” Ok, I’m going.”

TBB: What is your favorite bellydance style?

KK: Definitely Egyptian!  To me it’s about the music. There are so many instruments and hidden layers, so many dynamics and I really feel at home when I hear it.  I used to say “I like that song” for instance: Alf Leyla, Princess of Cairo (Princess of Cairo on iTunes), Bitwannes Beek (Bitwannes Beek on iTunes) and people would say “That’s Egyptian.”

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