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Sorry for the delayed #TBT/ #FBF post guys! The inspiration for today’s post was found in a Facebook group called 1970’s Belly Dance! Which is a great page that promotes discussion about the art form and provides images and inspiration of dancers from the past. Anywayyyy…

SO HERE’S THE DEAL:

Lys (sometimes Liz) and Lyn Jamal, also known as Leila and Lamia were from (Cairo?/Alexandria?), Egypt. They were billed as the “Jamal Twins,” which they were not lol, and sometimes, more accurately, as the “Jamal Sisters.” According to 1970’s BD, the sisters lived across the street from Nadia Gamal and her family (jealous!!!!). The sisters were featured dancers in several films in Egypt and India. They came to the U.S. in the 50’s and they became a  “major sensation on the American cabaret scene in the 1950s, and a significant influence on many American dancers of the era (notably Morocco and Dahlena)” (Occidental Dancer). They were also close with Ibrahim Farrah and danced in his show at Fazil’s Dance Center in NYC.

Interesting fact : according to Moroccothe twins who had each been married for a long time, were still accompanied by both parents to their gigs. Their parents would even sit and wait in their dressing room between shows.

WHY I <3 THEM:

See for yourself!

From the film Anisa Hanafi – Skip to 22:45!!!! 

gawaher

SO HERE’S THE DEAL:

There isn’t much info out there on Gawaher. I actually stumbled upon her when I was trying to find something about another dancer – Kawakeb, who I still haven’t really found anything about :/ Anyway, what I did find about her is from Academia de Danza Arabe Priscilla Adum‘s Facebook page. Gawaher was a golden age dancer born September 15th 1930 in Lebanon. She had a successful decade long career in Egypt where she made about 13 films. She retired from dancing in the 1960s when she married, her husband did not approve of her dancing. However, she came out of her retirement and danced in a few more movies after she and her husband were divorced. Unfortunately, she wasn’t allowed to have contact with her daughter after the divorce.

Academia de Danza Arabe Priscilla Adum posted a photo (seen above) that was from a vintage issue of Al Kawakeb Magazine (Egyptian celebrity/film magazine). The photo was accompanied by this article:

THE SAD GAWAHER

The Atomic Dancer Gawaher visited me at Kawakeb’s offices in Beirut. She was wearing a summery fabric dress made at Carven of Paris, and she asked me “What’s your opinion of me?”
“In regards to what?” I answered
And she said, “About {my} dance, art, beauty and elegance?
I swallowed hard and said, “Great!”
At this point, Gawaher raised her head and said, “Then why haven’t you written about me in Kawakeb Magazine? Am I not good enough or what?”
I swallowed hard again and said, “But today you live the life of a housewife and not of an artist, so can we ask you, what was the reason for your retirement?”
Gawaher stood up and said, “I understand, and you’re right. I’m torn between my love of art and my love for him.”
I disliked asking her who the lucky man was because it’s none of our business.
Gawaher continued talking and said, “He doesn’t want me to appear onstage in a belly dance costume.”
I asked her, “Do you love him that much?”
And Gawaher responded and said “Up to now, I’ve been unable to distinguish and I can’t decide which I love more. Him, or art.
And then the (former) Atomic Dancer left sadly.

WHY I <3 HER:

I love being a detective and going on the hunt to find dancers that I haven’t heard of yet. Although I can’t say Gawaher is one of my absolute favorites, here is what I love about her:

I love the way she holds herself and her facial expressions, she really exudes confidence. I also like the fact that she strips the dance down to it’s essence and focuses on each smooth movement. She is very poised and graceful and I find her story to be an interesting one.

Watch videos of her below and tell me what you think!!!

xoxo

N

Oh – and HAPPY FRIDAY!!!!!!!!!!!!!!!!!!!!

[vimeo https://vimeo.com/105988835] [vimeo https://vimeo.com/103203102] [vimeo https://vimeo.com/103203309] [vimeo https://vimeo.com/103200839]

SO HERE’S THE DEAL:

Nesrin Topkapi is a famous Turkish dancer from the 70’s. She was born Nesrin Gökkaya in 1951.  She first danced on stage at age six and and at only 15 moved to England, where she lived and danced for 8 years. She moved back to Istanbul in 1974 and worked very elegant venues such as the Maksim Gazinosu, a casino in Istanbul. She toured Turkey for three years and had the opportunity to dance at many prestigious events. Nesrin continues to perform and teach  – so be on the look out! If you want to keep up with her, you can add her unofficial fan page as a friend on Facebook here.

WHY I <3 HER:

<3 how elegant and graceful she is

I <3 the way she uses her arms

<3 that there is so much personality in her dance and she really makes it her own. She adds her own little twist to each movement

<3 that she can dance in sky high heels

watch here and tell me what you think!

Well…I couldn’t find much info about this Golden Age beauty – but luckily there are tons of videos! So check them out below and let me know what you think!

Happy Almost Friday!

xoxo

TBB

LOVE this one!

very cool that she’s using zills!

 

*Please note these videos were not uploaded by The Belly Blog. They were found on Vimeo and uploaded by The Carovan! 🙂

“Archaic dances still influence our moving center, for they are rooted in the cosmic memory of our planet. They may disappear into past but always find their way back to us through research work and spiritual identification.”

So Here’s The Deal: 

It’s hard to know where to start with Nelly Mazloum. She was an intellectual, an entrepreneur, an actress, a choreographer, a dancer, a teacher of modern, ballet, egyptian folkloric, and traditional oriental dance.

Where was Nelly from?

Nelly-Catherine Mazloum-Calvo was born in Alexandria, Egypt in 1929. She was of Greek and Italian descent. Her father was a jeweler from Naples, Italy and her mother was a pianist from Anatolia. Her parents owned a hotel across the street from the Alhambra theatre.

How Nelly began to <3 Dance!

When Mazloum was just 2 years old she suffered from poliomyelitis, or paralysis of the legs. With lots of hard work from her pediatrician and his wife, who was a ballet teacher, Mazloum was able to walk again at age 4. And then there was no stopping her! “Dance became her passion and the very symbol of life.”

How It All Started: 

She officially began her dance career at age 5 and was called a prodigy child by the media. In 1939 she landed her first film role in a greek film, I Prosfygopoula (The Refugee Girl).

Nelly performed modern dance and ballet at the Casino Opera run by Badia Masanabi (click here to read more about Badia!). Although she danced in the early afternoon, she would stay into the evening to watch Samia Gamal (Read up on Samia!) and Tahia Carioca (Learn more about Tahia!).

Nelly’s golden years were the 1940’s. During this time she performed and acted in approximately 17 films. She performed oriental dance in only a few, Shahrazad (1941) and Soliman’s Ring (1946).

In 1947 she established a ballet school in Cairo for girls from elite society. She also trained dancers for the National Opera House in Cairo.

At 19 years old, in 1948, Nelly was named the Prima Ballerina at the Royal Opera House in Cairo.

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Helena was born in Greece on the tiny island of Hydra (Ydra) in 1948. She was immersed in Middle Eastern music by default— Greece had been ruled by Turkey for hundreds of years and she felt this influence growing up. She came to the US when she was 8 via NYC but her family settled in LA.

Due to the growing Greek community there at the time, dance clubs and restaurants were opening more and more— in these clubs is where Helena really starting getting into Raqs Sharqi— she watched used to dancers like Antoinette and Aisha Ali, mostly Americans, with her mentor FoFo De Milo.

She fell in love with this dance during her adolescence in LA.
FoFo De Milo (a Greek-American entertainer, dancer, owner of Greek Village Restaurant in Hollywood) was a distant relative of Helena’s and she pretty much took Helena under her wing— she was “discovered” by her from family gatherings and FoFo offered to train her at her studio.

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